The U.K. government is pushing forward with plans to attract more AI companies to the region by changing copyright law. The proposed changes would allow developers to train AI models on artists’ content found online — without permission or payment — unless creators proactively “opt out.” Not everyone is marching to the same beat, though.
On Monday, a group of 1,000 musicians released a “silent album,” protesting the planned changes. The album — titled “Is This What We Want?” — features tracks from Kate Bush, Imogen Heap, and contemporary classical composers Max Richter and Thomas Hewitt Jones, among others. It also features co-writing credits from hundreds more, including big names like Annie Lennox, Damon Albarn, Billy Ocean, The Clash, Mystery Jets, Yusuf / Cat Stevens, Riz Ahmed, Tori Amos, and Hans Zimmer.
But this is not Band Aid part 2. And it’s not a collection of music. Instead, the artists have put together recordings of empty studios and performance spaces — a symbolic representation of what they believe will be the impact of the planned copyright law changes.
“You can hear my cats moving around,” is how Hewitt Jones described his contribution to the album. “I have two cats in my studio who bother me all day when I’m working.”
To put an even more blunt point on it, the titles of the 12 tracks that make up the album spell out a message: “The British government must not legalize music theft to benefit AI companies.”
The album is just the latest move in the U.K. to bring attention to the issue of how copyright is being handled in AI training. Similar protests are underway in other markets, like the U.S., highlighting a global concern among artists.
Ed Newton-Rex, who organized the project, has simultaneously been leading a bigger campaign against AI training without licensing. A petition he started has now been signed by more than 47,000 writers, visual artists, actors, and others in the creative industries, with nearly 10,000 of them …