
Pop star Ariana Grande has initiated legal proceedings in Los Angeles against two unnamed hackers whom she alleges obtained unauthorized access to unreleased recordings and video content. According to court documents filed by her legal team, the defendants systematically targeted the computers and devices of photographers and music producers who work with Grande, subsequently selling the stolen material on dark web marketplaces for substantial sums.
The lawsuit alleges a longstanding pattern of unauthorized access spanning multiple years. Court filings indicate that in 2025, the defendants compromised a producer’s mobile device to obtain unreleased masters, demos, and studio session footage. In a separate incident the previous year, the hackers allegedly created an fraudulent email account impersonating a photographer and convinced a digital technician to provide unreleased photographs belonging to Grande. The documents state that during 2023 alone, forty-five unreleased songs attributed to Grande were hacked, stolen, and leaked, with hundreds of similar incidents occurring since her musical debut in 2011.
Grande’s legal complaint seeks to identify the hackers while citing violations including invasion of privacy, California computer hacking statutes, and conversion. Her attorneys contend that the breaches have caused substantial and irreparable damage to Grande’s career and privacy. The case reflects Grande’s previously stated commitment to holding those responsible for unauthorized leaks accountable. In a media appearance, she discussed a track titled Fantasize, co-written with producer Max Martin, which circulated online without authorization following her involvement with the film Wicked.
The lawsuit filing coincides with significant developments in Grande’s professional schedule. She is scheduled to release her eighth studio album, Petal, this Friday, and is currently touring internationally with planned dates in the United Kingdom in August. Grande has indicated these concert dates may represent her final tour performances “for a long time,” describing the upcoming performances as a final effort before an extended hiatus from live performance.
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