‘September Afternoon’ Dives Into the Mundane: “In an Age of Arbitrary Extraordinariness, Plain Banality Is Stimulating as F***” (Exclusive Clip)

by | Jul 30, 2026 | Entertainment

‘September Afternoon’ Dives Into the Mundane: “In an Age of Arbitrary Extraordinariness, Plain Banality Is Stimulating as F***” (Exclusive Clip)

Nicolaas Schmidt, a German filmmaker known for his distinctive cinematic approach, will see his feature-length directorial debut premiere at a major European festival. The film, titled September Afternoon, is scheduled to world premiere on August 10 at the 79th edition of the Locarno Film Festival, competing in the Filmmakers of the Present section.

The narrative centers on a couple who resist accepting the end of summer and return to a coastal location one final time to spend time together. Their efforts to recapture summer’s warmth against autumn conditions ultimately lead to escalating difficulties, culminating in what the synopsis describes as a contemporary cosmic catastrophe. Schmidt approaches the material through his established artistic methodology, emphasizing visual composition, sound design, and mood while minimizing dialogue. His work typically dwells on the gradual unfolding of ordinary moments, employing repetition and silence as compositional elements that invite viewer contemplation.

The production features cinematography by Thomas Oswald and was produced by Maxi Haslberger and Balthasar Busmann. Schmidt both wrote and edited the film, which stars Amin Motallebzadeh, Katharina Grossmann, Hedi Grossmann, and Ada Kurzhöfer. International sales are being managed by Kino Rebelde. This marks Schmidt’s return to Locarno, where his previous work received a special mention in 2021.

In discussing the film’s approach, Schmidt notes that the work treats mundane moments as foundational material, extending ordinary situations until their emptiness becomes apparent. The filmmaker characterizes his conceptual strategy as offering viewers an alternative perspective in contemporary culture, suggesting that plain banality holds aesthetic value when presented with intention and care.

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