
Filmmaker Maite Alberdi’s new Netflix documentary A Child of My Own tells the story of Eleonor Alejandra Marín Mendoza, a Mexican woman imprisoned for taking a newborn baby from a hospital. Alberdi met Alejandra while she was serving a 13-year sentence and initially heard only her account of events, which centered on her struggles with multiple miscarriages and a purported arrangement with the baby’s biological mother.
As Alberdi investigated further by obtaining court records and trial transcripts, she discovered that Alejandra’s narrative diverged significantly from the evidence. The baby’s mother, Mayra, had never agreed to any arrangement. Instead, Alejandra posed as a hospital social worker and removed the newborn from the ward without authorization. Despite this revelation and her initial shock, Alberdi chose to continue with the project, recognizing that the core of the story lay not in the crime itself but in the psychological and social pressures that led Alejandra to fabricate an entire pregnancy.
The documentary employs an unconventional structure, opening with dramatized sequences styled like a Mexican telenovela that depict Alejandra’s version of events with theatrical flair. These reconstructions illustrate her progression from grief following multiple miscarriages to an elaborate deception involving fake ultrasounds and pregnancy yoga classes. Alberdi suggests that Alejandra may have internalized her fictional narrative to such a degree that she experienced a form of psychological pregnancy. The second half of the film transitions to documentary format, featuring interviews with Alejandra, her husband Arturo, the judge, a psychologist, and Mayra, whose trauma from the incident remains substantial.
Alberdi frames the documentary as an exploration of societal expectations surrounding motherhood and fertility in Mexico and Latin America. She emphasizes that while understanding Alejandra’s circumstances, she does not intend to justify her actions. The project reflects Alberdi’s broader filmmaking philosophy, which prioritizes nuance and complexity over the binary judgments typical of conventional true-crime programming. The documentary arrives on Netflix later this month.
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