A Man Secured a Lost Billy Joel Interview. Then He Re-Created the Singer in AI. (Exclusive)

by | Aug 12, 2026 | Entertainment

A Man Secured a Lost Billy Joel Interview. Then He Re-Created the Singer in AI. (Exclusive)

A Los Angeles filmmaker named Adam Ripp obtained a previously lost extended interview conducted with Billy Joel in 1971 at Long Island’s C.W. Post college radio station. The interview, recorded when Joel was 22 years old and before his breakthrough “Piano Man” era, was provided by Irwin Mazur, Joel’s first manager, who said he had the rights to the material through Ed Mann, the student who originally conducted and recorded the hourlong session.

Rather than presenting the audio through conventional documentary methods, Ripp chose to use artificial intelligence to reconstruct both Joel’s appearance and the college radio studio setting from that era. He worked with a Canadian AI company, training the system exclusively on photographs owned by Mazur and others present at the time. The resulting 20-minute film, titled “1971: Billy Joel’s Lost Interview,” features AI-generated visuals of the young musician synchronized with the original audio recording.

The documentary is scheduled to premiere at the Long Island Music and Entertainment Hall of Fame on September 25 as part of the organization’s Music Documentary Film Festival. The film includes Joel discussing his recent homelessness, his upcoming move to Los Angeles, his modest early success, and his plans for what would become his breakthrough album. Joel was not consulted about the project, and a title card states the film is not endorsed by or affiliated with him.

Ripp, the son of early Joel producer and label executive Artie Ripp, has been involved in other unauthorized Joel projects and has sought to restore recognition for his family’s and Mazur’s roles in the musician’s early career. Legal questions remain about the use of a living person’s likeness without permission, particularly regarding right-of-publicity claims. Some film festivals have rejected the project due to its AI components, though the Long Island festival’s organizers view it as a thoughtful use of technology for historical documentation. Distribution prospects remain uncertain.

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