Belfast Fleadh: Kate Nash on Irish history, heritage and covering Sinéad O’Connor

by | Aug 8, 2026 | Entertainment

Belfast Fleadh: Kate Nash on Irish history, heritage and covering Sinéad O'Connor

Kate Nash, a London-born singer-songwriter with an Irish mother, has recorded a cover of Sinéad O’Connor’s 1994 song “Famine” as a vehicle to examine historical gaps in English education and Britain’s relationship with Irish history. Nash added new lyrics reflecting her own experience of dual identity, using the project to raise questions about how Britain’s imperial past is taught and remembered in schools.

Nash stated that many English people lack knowledge of significant historical events, including the Irish famine of the 1840s when Ireland was part of the United Kingdom. She noted that Sinéad O’Connor’s original song provided her with educational context she had not received in school or at home. After O’Connor’s death in 2023, American music producer Kool Kojak suggested Nash record a cover, which she initially considered audacious before deciding to participate in the tradition of passing folk music through new interpretations.

Academic perspectives on the topic diverge. Enda Delaney, a professor of modern history at the Edinburgh Futures Institute, agreed that Anglo-Irish history is not routinely taught to English students, creating understanding gaps about events in which one million people died during the 1840s famine. He advocated for greater emphasis on Irish history in schools and closer examination of shared British-Irish history. Robert Tombs, a Cambridge professor, countered that any instruction should present complex evidence rather than political narratives, arguing that the British government’s relief efforts, while imperfect, included substantial food imports and feeding schemes.

The Department for Education stated that the national curriculum provides frameworks for teaching about Britain and Ireland in the 19th century, with future revisions intended to strengthen pupils’ understanding of challenging historical topics. Sean Campbell, a researcher focusing on Irish diaspora in popular culture, noted that Nash’s overt engagement with major Anglo-Irish political issues represents a notable contribution to a tradition of second-generation Irish artists exploring their heritage.

Nash is scheduled to perform in Belfast on 6 August as part of the fringe programme for the Fleadh Cheoil na hÉireann festival.

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