Feisty, funny and for real – how new opera the Galloping Cure puts drama at its heart

by | Aug 7, 2026 | Entertainment

Feisty, funny and for real – how new opera the Galloping Cure puts drama at its heart

The Galloping Cure represents an effort to modernize opera by prioritizing dramatic storytelling and entertainment value alongside musical composition. Composer Missy Mazzoli and librettist Royce Vavrek collaborated on the work, which was commissioned by Opera Ventures, a charity founded by impresario John Berry. The opera emerged from discussions about the state of contemporary opera and its disconnect from broader audiences, following industry conversations sparked by recent cultural commentary.

The narrative centers on the opioid crisis and was inspired by Kafka’s A Country Doctor. Novelist Karen Russell developed a story featuring a fairground hawker who captivates residents of a struggling industrial town with an irresistible ride they cannot escape. The tone combines elements from various theatrical traditions, ranging from darker material to comedic moments, and features an ensemble of characters including singing sheep and domesticated dogs.

Mazzoli emphasizes that modern opera has drifted from its foundational purpose as entertainment and dramatic art. She argues that composers have been discouraged from writing singable melodies, incorporating popular narratives, or employing humor, creating a self-imposed distance from audiences. Historical composers such as Wagner, Verdi, and Puccini understood themselves primarily as dramatists rather than abstract musicians. The production process employed theatrical development techniques typically reserved for commercial theatre, allowing the creative team to test story and character development with performers.

The work carries thematic complexity regarding economic structures and moral ambiguity. Designer Rebecca Ringst created visual elements meant to evoke both the allure and danger of addiction. The production underwent extensive development through rehearsals in Glasgow and Edinburgh, with the creative team continuously refining material based on performer input and artistic instincts. The world premiere took place at the Festival Theatre in Edinburgh as part of the Edinburgh International Festival from 9-12 August.

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