
Christine Vachon, a prominent independent film producer, discussed her career spanning over 35 years championing unconventional American cinema in an interview. Vachon founded Killer Films in 1995 with Pamela Koffler and has become known for backing films that address controversial subject matter, from early provocative works in the 1990s to more recent mainstream successes including the romcom Materialists, which grossed $108 million.
Vachon described her approach to filmmaking as centered on supporting personal, challenging narratives with something meaningful to communicate. She explained that Killer Films’ role often involves backing first-time filmmakers by providing assurances to financiers. Among the emerging directors she has supported are John Cameron Mitchell, Mary Harron, and Todd Haynes, whose debut Poison won the grand jury prize at Sundance. Vachon noted that controversy surrounding some of her films, such as the National Endowment for the Arts funding controversy over Poison, sometimes increased public interest, though she emphasized that reaching underrepresented audiences was the primary benefit.
Vachon discussed Killer’s latest production, Pretty Babies, directed by newcomer Tyler-Marie Evans. The film follows two teenage actors who move to Los Angeles and become involved in sex work, drawing comparisons to classic films like Thelma and Louise and Mulholland Drive. Evans, the writer and director, has described the film as exploring how sexually objectified young women grapple with existential questions.
Vachon also addressed De Noche, a period drama directed by Haynes that experienced significant production disruption when star Joaquin Phoenix departed five days before filming was scheduled to begin in August 2024. Vachon indicated the losses were substantial but declined to discuss specifics about Phoenix’s reasons for leaving. She stated that Pedro Pascal and Todd Haynes’s commitment allowed the project to eventually move forward, suggesting the film has since resumed production.
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