“Teenage Sex and Death at Camp Miasma,” written and directed by Jane Schoenbrun, opened in limited theatrical release on August 7, generating $251,000 from five screens with an average per-location take of $50,300. The film, which co-stars Gillian Anderson, is set to expand to 50 additional theaters the following weekend before a nationwide rollout on August 21 through distributor Mubi.
The movie marks a notable tonal shift for Schoenbrun, whose previous features include the 2024 psychological horror drama “I Saw the TV Glow” and the earlier film “We’re All Going to the World’s Fair.” With “Camp Miasma,” the filmmaker produced a slasher comedy blending horror and comedic elements. The narrative follows Kris, a queer filmmaker portrayed by Hannah Einbinder, who pursues the opportunity to recruit Billy Presley, a reclusive former star of an in-universe “Camp Miasma” horror franchise played by Anderson. Kris’s quest leads her to the original filming location where Billy now lives, setting off a sequence of gory and campy events punctuated with jump scares.
Schoenbrun reflected on the creative process, noting that the film emerged from a period encompassing both difficulty and happiness. The director expressed that following the emotional weight of previous projects, creating “Camp Miasma” represented a return to feeling positive and embodied. Schoenbrun indicated interest in continuing to make unexpected work that expands the possibilities of filmmaking as a medium.
Einbinder expressed optimism about the film’s potential impact on the industry, hoping that successful queer-led projects encourage studios to place greater confidence in queer filmmakers and showrunners. Supporting cast members, including Jasmin Savoy Brown and Patrick Fischler, offered perspectives on Schoenbrun’s collaborative approach and vision, with Fischler highlighting the film’s accessibility as a means to broaden audience perspectives.
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