There Are Scores of Great New Animated Shows. The Emmys Won’t Nominate Them.

by | Aug 23, 2026 | Entertainment

There Are Scores of Great New Animated Shows. The Emmys Won’t Nominate Them.

Television animation has emerged as a significant creative force in American entertainment over the past three decades, with shows like The Simpsons, Rick and Morty, and South Park fundamentally reshaping how audiences perceive comedy, drama, and social commentary. However, the longevity of these programs has created a challenge for awards recognition, as several of these same series continue to dominate Emmy nominations year after year despite their extended runs.

This year’s Outstanding Animated Program category includes The Simpsons, Rick and Morty, South Park, and Bob’s Burgers—programs that have collectively been on air for centuries of combined television seasons. While their durability might suggest sustained creative excellence, critics argue this pattern reflects institutional stagnation rather than genuine quality assessment. Notably absent from the nominations are newer animated programs that have gained recognition for originality and fresh creative vision, including Among Us on Paramount+, Long Story Short on Netflix, and Haha, You Clowns on Adult Swim. The category does include some newer entries like Smiling Friends and Star Wars: Visions, though these appear comparatively marginal.

Several structural issues within the Emmy voting process contribute to this pattern. The current system awards individual episodes rather than entire series, which disadvantages newer shows requiring sustained viewing to appreciate their stylistic innovations. Additionally, animation eligibility restrictions exclude internationally produced content and programming aimed at younger audiences, eliminating shows like Bluey from consideration despite their cultural significance and viewership. Perhaps most significantly, the animation category limits Phase II voting to members of the animation branch rather than opening it to the broader television academy, potentially creating an insular voting environment where established industry relationships influence outcomes.

Observers suggest several reforms could address these issues: expanding eligibility criteria for international and children’s programming, modifying voting procedures to include the broader academy, and reconsidering whether single-episode evaluation serves the category’s stated purpose of celebrating creative excellence and innovation in animation.

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