John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’

by | Sep 21, 2026 | Entertainment

John Wilson on his unlikely concrete movie: ‘There might be a kind of sickness in shooting things this way’

John Wilson, known for his HBO series “How To with John Wilson,” has completed his first feature film titled “The History of Concrete,” which examines the ubiquitous urban material through the lens of documentary filmmaking. The 100-minute film represents Wilson’s attempt to transition from episodic television to feature-length cinema while maintaining his distinctive approach to storytelling.

Wilson conceived the project after attempting a DIY repair on his Queens apartment’s cracked concrete foundation, which prompted reflection on how little people understand the dominant visual element of their urban environment. Initially, he pitched the concept as an environmental documentary focused on infrastructure deterioration, but this framing encountered resistance from potential financiers. He subsequently reframed the project by drawing inspiration from an unexpected source: a Writer’s Guild of America workshop on Hallmark movie conventions, which prompted the question of why the film industry could support documentaries about property development but not about concrete.

The filmmaker faced significant creative and professional challenges during the project’s development. Following the conclusion of his HBO series in 2023, Wilson experienced a period of uncertainty and diminished self-esteem as he struggled to secure backing for his vision. Industry expectations that he produce something markedly different from his television work created additional pressure, which Wilson found creatively constraining. He expressed frustration with what he characterized as arbitrary requirements to differentiate his feature from his established series.

Ultimately, Wilson abandoned the search for external validation and financing, returning to his fundamental creative process: picking up a camera and leaving his residence to document his observations. He credits this decision with helping him overcome professional paralysis and depression. The resulting film functions as both a meditation on concrete as a material and a meta-documentary about the challenges of independent filmmaking and creative persistence in an industry that often resists unconventional project proposals.

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