
Representatives from numerous countries, international organizations, and entertainment industry figures adopted the Lumière Declaration on moving images at a summit in Saint-Paul-de-Vence on Monday. The declaration was jointly presented by France and the Republic of Korea under the leadership of their respective presidents and remains open for additional signatures.
The declaration establishes 15 principles intended to create a framework for global governance of cinema and moving images. It characterizes moving images as a common good serving emotional, memory, and knowledge functions while enabling individual emancipation and collective change. The document emphasizes that ambitious, intentional creative works remain irreplaceable and that future industry success depends on the quality of content produced and supported.
A central assertion in the declaration states that audience attention constitutes a trust to be honored rather than a resource to be captured, marking a direct distinction from algorithmic platforms. The document also addresses creator diversity, artistic freedom, and international solidarity for creators facing political, economic, or social constraints. It emphasizes that industries must demonstrate exemplary conduct regarding representation and working conditions.
Regarding economics, the declaration identifies the audiovisual sector as a significant engine of economic growth while calling for public support for early-stage creative risk-taking and conditions enabling long-term artistic development. International co-production receives endorsement as a means to diversify risk and strengthen global ecosystems. The document argues that content diversity across budgets, languages, genres, formats, and geographies strengthens rather than constrains competitiveness.
Three principles address technological considerations. The declaration asserts that artificial intelligence can enhance creativity and innovation while remaining subordinate to human creation. It identifies emerging risks from automated agents mediating access to works and reinforces that creation requires compensation to sustain renewal. Additional principles address theatrical exhibition, cultural heritage preservation, image literacy education, and sustainable production practices. Signatories committed to collective engagement and periodic progress review.
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