
Netflix’s approach to acquiring live sports rights centers on identifying games and tournaments that can function as unmissable cultural moments rather than recurring programming packages, according to comments from Chief Content Officer Bela Bajaria. Speaking from Melbourne, Australia, where Netflix broadcast the first-ever regular-season NFL game held in that country, Bajaria characterized successful “events” as moments with widespread cultural appeal and conversation-driving potential that function as appointment viewing.
Bajaria’s definition encompasses diverse content types beyond traditional sports. She cited examples including the Christmas Day NFL game paired with a Beyoncé halftime performance, the World Baseball Classic, the Home Run Derby, and non-sports programming such as rock climber Alex Honnold scaling the Taipei 101 building and a BTS concert in Seoul. Her remarks suggest that Netflix’s current NFL arrangement—five games during the 2026-27 season including the inaugural Thanksgiving Eve game, two Christmas games, and a significant Week 18 matchup—aligns with this event-focused strategy rather than representing a move toward large, recurring game packages.
Regarding future NFL negotiations, Netflix indicated openness to exploring additional opportunities. The company expressed interest in potential international game packages, which currently do not exist as a standalone offering. Bajaria also confirmed Netflix is considering bids for the FIFA Men’s World Cup in 2030 and 2034, building on existing rights to the Women’s World Cup for 2027 and 2031.
Bajaria signaled Netflix’s willingness to explore new business models as competition intensifies in the streaming sector. She referenced a partnership with France’s TF1 Group as a test case for embedding third-party live content within Netflix’s platform, and suggested openness to similar arrangements with other media companies such as NBCUniversal. However, Bajaria rejected suggestions that Netflix would pivot toward short-form video content to compete with platforms like YouTube, stating the company remains committed to television series and feature films as its core business model.
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