
José Luis Rebordinos is concluding his final year as director of the San Sebastián International Film Festival following 17 years in the position. Reflecting on his leadership, Rebordinos expressed satisfaction with the collective work accomplished by the festival’s team rather than individual accomplishment. He emphasized that the organization has evolved significantly during his tenure, becoming a prominent destination on the international film festival circuit despite its late-September timing, positioned between larger festivals in Venice and Toronto.
Rebordinos will hand over the festival directorship to Maialen Beloki, his deputy director for 11 years, beginning in 2027. Beloki will become the first woman to lead the San Sebastián Film Festival in its 74-year history. Rebordinos expressed confidence in the transition, noting Beloki’s intelligence, character, and deep familiarity with the festival’s operations. He indicated his decision to step down was motivated by a desire to pursue other professional interests, including writing, reading, and working with Latin American and Spanish cinema at smaller festivals.
Under Rebordinos’s leadership, San Sebastián underwent significant transformation through strategic industry focus. The festival launched initiatives including the Europe-Latin America Co-Production Forum in 2012 and the Creative Investors’ Conference beginning in 2022, which attracted major producers and elevated the festival’s profile. Rebordinos attributed the increased quality and prominence of competition entries to these industry-oriented programs, noting that major films featuring high-profile talent would have been unlikely submissions a decade prior.
The current edition features notable premieres including Brad Pitt’s Heart of the Beast and competitive entries from acclaimed filmmakers. Werner Herzog received the prestigious Donostia Award at the opening ceremony. The festival also made political statements during the opening ceremony, with hosts calling for an end to the conflict in Gaza and expressing solidarity with filmmakers of the documentary NAZA. Rebordinos indicated that the festival has a history of taking political positions, noting previous controversy when he publicly condemned Spain’s far-right Vox party, which resulted in the loss of a potential sponsor.
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