Directors Will Lovelace and Dylan Southern have completed a feature film documenting Oasis’s Live 25 reunion tour, which spanned 41 concerts across 14 countries and five continents with attendance exceeding two million people. The project, titled Oasis: Don’t Look Back In Anger and featuring screenplay by Peaky Blinders creator Steven Knight, examines both the historical context of the band’s 1990s dominance and their return to performing after three decades.
The filmmaking process presented significant logistical challenges. To capture rehearsals in London—a situation the band had never previously permitted for documentary purposes—the directors employed hidden cameras concealed within sound equipment, operating from an external trailer during a six-week period. Lovelace and Southern employed an unconventional approach to casting their camera crews, recruiting acclaimed cinematographers including Haris Zambarloukos, Oscar-winning cinematographer Lol Crawley, and James Laxton rather than standard concert film specialists. This elevated the visual approach beyond typical rockumentary conventions.
The film documents the first reunion meeting between the estranged brothers, who had not been in the same room for 16 years. During initial rehearsals, Liam and Noel maintained a strictly professional dynamic, with minimal interaction outside of required work sessions. As the tour progressed through 13 filmed dates, the directors observed a gradual shift in their relationship dynamics. The documentary also incorporates extensive footage of audience members from diverse backgrounds, including accounts of how the band’s music provided personal meaning during difficult life circumstances.
Lovelace and Southern brought their own historical connection to Oasis as longtime fans. Southern had previously co-directed a 2010 documentary about rival band Blur, though the directors note this background did not factor into the current project’s development. Both directors expressed being emotionally unprepared for the intensity of fan response at the tour’s opening show in Cardiff, describing the experience as unexpectedly profound.
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