‘I’m lovingly making fun of everyone I’ve ever met’: on the set of Leo Reich’s gen Z sitcom

by | Oct 11, 2026 | Entertainment

‘I’m lovingly making fun of everyone I’ve ever met’: on the set of Leo Reich’s gen Z sitcom

Leo Reich’s upcoming Channel 4 sitcom “It Gets Worse” centers on three characters—Ethan, Sam, and Abi—who are forced to leave their London flatshare following a rent increase and navigate their subsequent lives in the city. The show is structured as a hangout comedy rather than around a specific central concept, focusing instead on character dynamics and situational humor. Reich describes the series as combining elements of “Girls” and “Peep Show,” though it distinguishes itself by featuring protagonists—a gay man, a northern woman, and a mixed-race artist—who have traditionally occupied supporting roles on television.

Reich, 28, has rapidly ascended in comedy since his 2022 Edinburgh Fringe debut with “Literally, Who Cares?!” That show, which presented an exaggerated parody of a young person struggling with contemporary anxieties, earned him immediate recognition and a subsequent HBO special deal—an unusual achievement for a British comedian launching their career. He also appeared in Lena Dunham’s Netflix series “Too Much,” which itself features a cameo in “It Gets Worse.”

On set, Reich maintains creative control as what he terms a “joke warden,” prioritizing comedic timing and rhythm in his castmates’ performances and encouraging improvisation where appropriate. The show’s tone deliberately captures a sense of helplessness and existential uncertainty rather than focusing on specific social issues. While Reich resists framing the series as definitively representative of Generation Z, he acknowledges that its characters embody distinctive responses to broader contemporary anxieties, including economic instability and eroded institutional certainty that characterize the current period.

The series features cameos from notable figures including Andrew Scott and Zadie Smith, alongside Dunham. Reich’s approach to the material draws from his established comedic sensibility, which merges sharp observation about modern life with absurdist humor and self-aware exaggeration.

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