‘People think songwriters go around crying all the time’: Jimmy Webb on his epic hits – and wild drinking days

by | Oct 26, 2026 | Entertainment

‘People think songwriters go around crying all the time’: Jimmy Webb on his epic hits – and wild drinking days

Jimmy Webb, an 80-year-old songwriter, shared insights into his career and creative process during an interview. The artist is known for composing several 1960s classics that have remained culturally significant, including “Wichita Lineman,” “By the Time I Get to Phoenix,” “Galveston,” and “MacArthur Park.” Webb recounted the inspiration behind “Wichita Lineman,” describing how observing a telephone lineman in Oklahoma led to the 1968 hit that Glen Campbell recorded.

Webb’s recent work has generated renewed interest in his catalog. This year, various artists have performed or sampled his compositions, including Nick Cave and Flea recording “Wichita Lineman,” Guns N’ Roses performing it live, and Kendrick Lamar’s “TV Off,” which samples a jazz version of “MacArthur Park,” winning a Grammy award for best rap song. Webb noted that an Olympic figure skater competed with “MacArthur Park” in the background, providing him with additional recognition.

After considering retirement, Webb decided to continue his career following conversations with collaborator Art Garfunkel. This decision led to his first album in 13 years, titled “Yours for the Taking: The Found Songs of Jimmy Webb.” The album features newly recorded versions of previously unreleased songs that Webb had written but left aside during his prolific songwriting period when he produced multiple compositions weekly.

Webb explained that some rejected or unfinished songs from his early career were developed into polished pieces for this project. He recalled attempting to pitch one composition, “Winter Clothes,” to Frank Sinatra, though Sinatra felt the song needed additional development. Webb reflected on his songwriting philosophy and credited his success partly to his cinematic thinking process and study of other artists’ work, which he compared to observing patients and understanding emotional wounds.

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