Other Mommy claimed the top position at the North American box office in its opening weekend, grossing approximately $27.5 million across 3,200 theaters for Universal Pictures. The horror film, directed by Rob Savage and starring Jessica Chastain, exceeded the studio’s $20 million projection despite receiving harsh critical reviews and negative audience reception. The film earned a D+ CinemaScore from audiences—the lowest grade since September 2024—and holds a 19 percent critical approval rating on Rotten Tomatoes alongside a 46 percent audience score.
The strong box office performance for Other Mommy continued momentum in the horror genre, particularly for original properties. Industry estimates place the domestic weekend gross at $88 million, representing a 23.6 percent increase compared to the same weekend in the prior year. The 2026 domestic box office surpassed the $8 billion mark, reaching $8.077 billion and reflecting a 19.6 percent increase over the equivalent point in 2025. However, the weekend showed a 27 percent decline from comparable periods in 2017-2019.
Sony Pictures’ The Social Reckoning, directed by and starring established filmmakers, opened significantly below expectations with $5.5 million from 2,606 locations. The fact-based thriller, starring Mikey Madison, Jeremy Allen White, and Jeremy Strong, fell short of the studio’s $7 million projection. The film earned a B- CinemaScore and generated mixed critical responses, holding a 54 percent Rotten Tomatoes score and 71 percent audience rating. Aaron Sorkin directed the project after winning an Academy Award for writing The Social Network, which opened to $22.4 million in October 2010 and eventually grossed $224 million globally.
Other limited releases included Chris Rock’s Misty Green, which collected $85,716 from six theaters, and the documentary NAZA, earning $247,000 from 72 locations. Verity, the Colleen Hoover adaptation from Amazon MGM Studios, claimed second place with $11.4 million in its second weekend. Industry observers noted that tech-focused films may find greater commercial success on streaming platforms than in theatrical releases.
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