Lance Oppenheim, a 30-year-old filmmaker, has emerged as a significant contender during awards season with two high-profile projects in circulation. The first is “You Can See Everything,” a three-hour documentary co-directed with Nathan Fielding that chronicles a month spent with former health-tech executive Elizabeth Holmes before she enters an 11-year prison sentence for fraud and conspiracy charges. The film has generated substantial industry attention, with its level of secrecy leading publications like Variety to redact cast member identities in their predictions. Industry observers anticipate it could become the first documentary nominated for best picture at the Academy Awards.
Oppenheim’s second major release is “Primetime,” a fictional feature marking his first narrative directorial effort outside the documentary format. The film stars Robert Pattinson as Chris Hansen, the television personality known for his work on “To Catch a Predator,” the segment that aired on NBC’s “Dateline” program. The show featured volunteers posing as minors in online conversations with offenders who would then be confronted at a staged location by Hansen and cameras. Pattinson’s performance in the role has attracted significant attention from awards observers.
Oppenheim describes the source material for “Primetime” as tonally unusual, characterized by the intersection of genuine criminal conduct and televised entertainment spectacle. The director notes the theatrical elements embedded within the program’s format, including recurring props and Hansen’s trademark phrases, which created unique thematic challenges for adaptation. “Primetime” represents Oppenheim’s transition from documentary work, though he indicates his previous nonfiction films deliberately employed dramatic storytelling techniques. Pattinson, already an established admirer of Hansen’s work, initially approached the project as a producer before committing to the lead role.
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