
The National Songbook, a collaborative digital archive between the National Film and Sound Archive and music rights organisation Apra Amcos, officially launched on Wednesday night in Canberra. The initiative aims to preserve and celebrate songs that have shaped Australia’s national cultural identity. A panel of 11 music experts, including broadcasters Richard Kingsmill and Zan Rowe, selected the inaugural 10 songs following what was described as a “very robust” evaluation process.
The inaugural selections span multiple decades and genres. The oldest entry is Andrew “Banjo” Paterson’s Waltzing Matilda from 1927, while the most recent is the Presets’ My People from 2008. Other selections include Midnight Oil’s Beds Are Burning, Yothu Yindi’s Treaty, the Easybeats’ Friday on My Mind, Helen Reddy’s I Am Woman, Ruby Hunter’s Down City Streets, Neil Murray’s My Island Home, Peter Sculthorpe’s Earth Cry, and the instrumental score from the 1998 film The Boys by the Necks.
Curators emphasized that the list reflects diverse cultural narratives and artistic merit rather than commercial success alone. Several selections were highlighted for their protest elements, including Treaty, described as a “landmark protest anthem” addressing indigenous rights, and My People, which addresses asylum seeker treatment. Others were recognized for personal storytelling and enduring cultural resonance across generations.
To qualify for inclusion, songs must have been written or co-written by an Australian Apra member, be at least a decade old, and demonstrate measurable cultural impact. The songbook will expand annually, with new panels appointed to select additional inductees. Officials indicated that the initial list represents a starting point for ongoing national conversation about significant Australian songwriting rather than a definitive compilation.
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